The Araban (Αραμπάν) mode has its theoretical basis and final on neva [G], where the fundamental element 5x-chitzaz is based. This mode is not characterized by any specific incipit. The elemental structure is completed with a 5x-rast on rast [C], making tsargkiach [F] the sub-final of the mode. The extension is possible with a 4x-kiourdi on mouchagier [high D]. The name Araban is derived from the practice of using the araban-type chitzaz as the fundamental element of this mode.
The primary modal dominant is mouchagier [high D], while the secondary is evits [B 1 comma flat]. The following attractions may occur:
dougkiach –> kiourdi [D –> D#], though rare, in phrases gravitating around segkiach [E 1 comma flat];
tiz segkiach –> souboule [high E 1 comma flat –> high Eb], nearly systematic in descending phrases and in phrases gravitating around the dominant mouchagier [high D].
Dromos Araban
The adjustment to equal temperament is referred to as dromos Araban or equal-tempered Araban mode (or Araban*) and occurs as illustrated in the following figure. All the characteristics of the corresponding microtonal mode are preserved.
This excerpt is from my book The Theory of Rebetiko, where I delve into the modal system of Greek music as it relates to the rebetiko genre. To access the complete text—including detailed discussions, tables, illustrations, and musical transcriptions of the examples—visit this page and explore the rich world of Greek modal music.
